Communication Arts & Sciences
Courses | Employment
Majors/Minors
This major exposes students to six different areas and allows them to concentrate in one area through additional advanced courses. The six areas are: film, general speech, corporate communication, media/journalism, theatre performance and dramatic literature.
Requirements for the major include 40 semester hours chosen with a department adviser, including at least one course in each of these areas:
- general speech
- corporate communication
- media/journalism
- film.
- two courses in theatre and one in writing beyond English 102.
Courses in language, international studies and a semester abroad are also recommended for students who wish to add a global perspective to their career focus. For courses available in dramatic literature and production, see the theatre arts brochure.
Film Program
Dominican University offers a variety of film and media courses covering a wide range of topics, including:- film history
- film authorship
- national cinema
- film comedy
- women and film
- classes that focus on individual masterpieces
Courses
General Speech Courses
150. SPEAKING AND LISTENING (3)
Basic communication skills in speaking and listening. The principles
described in traditional public speaking texts are presented in full and are treated as tools for
use in specific speech assignments.
160. VOICE AND DICTION (3)
Listed also as Theatre 160.
221. ELEMENTS OF DEBATE (3)
This class will introduce the structure of parliamentary debate.
Students will strengthen their writing, oral and research skills. Throughout the course, students
will learn to identify faulty arguments and propositions. This course will include in-class team
debate opportunities to sharpen presentation and listening skills, and will also promote greater
self-confidence in speaking and making oral arguments. This class is ideal for any student who
would like to improve the strength of their speaking and writing skills, those students planning to
attend graduate school and for students preparing for any vocation, especially those entering
business and law. No prior speech experience is necessary.
241. FAMILY COMMUNICATION (3)
This course explores the communication concepts of effective
interaction in the family, including verbal and non-verbal communication, family meetings as a mode
of communication and casual barriers to effective communication.
Corporate Communication Courses
180. COMMUNICATION: PERSONAL, SOCIAL AND CAREER FOCUS (3)
This introductory course includes theory, techniques and practical
exercises in intrapersonal and interpersonal communication, covering a variety of social and work
situations. The Myers-Briggs character and temperament types, as well as Stephen Covey’s personal
leadership text will be covered in full. Students will create a personal mission statement based on
The Seven Habits of Highly Effective People.
200. BUSINESS AND PROFESSIONAL SPEECH (3)
Students participate in realistic communication activities, giving
presentations in various communication situations.
222. MASS MEDIA AND SOCIETY (3)
Listed also as Sociology 222 and American
Studies 222.
Studies 222.
240. SELF AND SOCIETY (3)
Listed also as Sociology 240.
246. THE ART OF LEADERSHIP (3)
An analysis of the field of leadership and of the achievement of
organizational goals in business organizations, as well as in not-for-profit and educational
institutions. Students will learn the steps to quality leadership and the practices of exemplary
leadership.
250. INTERPERSONAL COMMUNICATION (3)
Concepts and insights for a better understanding of the dynamics of
face-to-face interpersonal relations. Students experiment and practice ways of improving
communication patterns.
306. HUMAN RESOURCE MANAGEMENT (3)
Listed also as Business Administration 245.
320. ORGANIZATIONAL COMMUNICATION AND BEHAVIOR (3)
An experimental learning laboratory for developing skills associated
with the responsibility of leadership; learning to contend with others on a face-to-face basis;
understanding the human needs of others; learning to motivate others to action; and exercising
authority in a just and satisfactory manner.
321. INTERCULTURAL COMMUNICATION (3)
This course is aimed at demonstrating how the theory and insights of
cultural anthropology and communication can positively influence the conduct of global business and
intercultural communication. World culture and economic geography are also included.
326. CORPORATE COMMUNICATION (3)
This course has two areas of concentration. It examines, through
case studies, the corporate communication function within organizations, including topics such as
managing image, corporate advertising, media and investor relations and government affairs. It also
provides experiential learning in the critical interpersonal skills needed to manage.
361. INDUSTRIAL/ORGANIZATIONAL
PSYCHOLOGY (3)
PSYCHOLOGY (3)
Listed also as Psychology 360.
396. LEADERSHIP IN A DIVERSE MULTICULTURAL ENVIRONMENT (3)
This course provides leaders with the tools necessary to interact
effectively with all individuals and subcultures. Rather than expatriates and international
assignments, the focus in this course is on leaders in domestic organizations, providing them with
the skills to develop their own multicultural awareness and knowledge.
415. COMMUNICATION AS AN INSTRUMENT OF PERSONAL POWER (3)
This course examines the skills and knowledge necessary to develop a
strong base for multiple career paths. An executive coach guides students in preparing for
positions requiring a high level of communication skill. Course content includes journaling, resume
construction, techniques and media authorship.
Journalism/Media Courses
130. INTRODUCTION TO DESIGN APPLICATIONS (3)
Listed also as Art 208.
224. RADIO PRODUCTION (3)
A hands-on course in radio broadcasting, management, writing and
production.
229. MAGAZINE WRITING (3)
Students will learn to write in a range of magazine and newspaper
feature styles.
Prerequisite: Communication Arts and Sciences 256 and sophomore
standing
230. TELEVISION PRODUCTION I (3)
A basic laboratory experience in television production.
236. WEB PAGE DESIGN (3)
Listed also as Art 227.
237. INTRODUCTION TO GRAPHIC DESIGN I (3)
Listed also as Art 240.
239. TELEVISION PRODUCTION II (3)
Advanced laboratory experience in television production.
Prerequisite: Communication Arts and Sciences 230
244. NEWSPAPER AND MAGAZINE EDITING (3)
Students will learn how to transform raw stories written for
magazines and newspapers into clear, compelling and polished news and feature articles. The course
also includes units on headline writing and design.
Prerequisites: Communication Arts and Sciences 256 and sophomore
standing
256. INTRODUCTION TO JOURNALISM (3)
Students will study the basics of journalism and of the media
business and will practice fundamental news writing and reporting skills. The class will include
lecture, discussion and deadline news-writing exercises on a range of topics. Students also will
report stories on campus events and issues.
Prerequisite: English 101
259. INTRODUCTION TO TELEVISION AND RADIO INDUSTRY (3)
This course is an introduction to the American broadcast and cable
industry. Students will look behind the microphones and cameras to examine the history of the
industry and to analyze the forces that shape it and influence everything from federal regulations
to the choice of music on the radio.
264. JOURNALISM PRACTICUM (1)
Students will write for the school newspaper, the Dominican Star,
using the knowledge gained from Introduction to Journalism and gaining valuable published samples
of their work for their portfolios. This practicum can be taken four times.
Prerequisite: Communication Arts and Sciences 256
268. FUNDAMENTALS OF PUBLIC RELATIONS (3)
This course focuses on the “working tools” required for employment
in public relations: doing research, developing PR strategies, writing press releases and feature
stories, creating special events and managing media relations. Analysis of PR case studies will be
included.
Prerequisites: Communication Arts and Sciences 256 and sophomore
standing
269. ADVANCED PUBLIC RELATIONS (3)
In this class, students will build on the skills acquired in CAS 268
and design strategies and campaigns for corporations, non-profit agencies and advocacy
groups.
Prerequisite: Communication Arts and Sciences 268
274. INTRODUCTION TO ADVERTISING (3)
A study of basic functions, principles and techniques of
advertising, including the role of advertising in the marketing system and as a process of mass
communication.
275. ADVERTISING STRATEGY (3)
Students will learn how to plan advertising accounts and develop
advertising campaigns, with an emphasis on research, analyses of consumer behavior, strategic
planning and creative execution. Much of this course will consist of case studies and hands-on team
applications.
Prerequisite: Communication Arts and Sciences 274
293. MEDIA LAW AND ETHICS (3)
Students will examine ethical and legal issues in journalism, public
relations and advertising. They will cover the constitutional basis of press freedom, as well as
legal developments relating to government regulation, copyright protection, libel, invasion of
privacy and journalistic privilege. This course will critically analyze the media’s ethical
standards and shortcomings and will help students develop their sense of personal and professional
ethics.
294. AMERICAN MASS MEDIA HISTORY (3)
This course analyzes the sources of American news and entertainment
media and examines their development up to the present day.
Listed also as American Studies 294 and History 296.
296. BEGINNING COLOR PHOTOGRAPHY (3)
Listed also as Art 230.
298. GLOBAL MEDIA (3)
Students will explore the role of news and entertainment media in a
rapidly globalizing world. This course will examine national, regional and global media, and place
media globalization in the context of broad economic, political, social and cultural
developments.
316. TELEVISION CULTURE (3)
This course critically examines television as a cultural force in
our society. It covers production techniques, genres and narrative strategies, and it examines how
television both reflects and influences dominant American cultures.
351. PROPAGANDA, PERSUASION AND THE
MASS MEDIA (3)
MASS MEDIA (3)
This course examines the nature, use, history and ethics of
propaganda in modern Western society. Students study how governments and movements harness
literature, journalism and film to further their agendas, and how others try to resist and subvert
those efforts. Topics include war propaganda and censorship, Nazi and Communist propaganda and
modern American public relations/advertising.
Prerequisite: Sophomore standing or consent
of instructor
of instructor
352. CONVERGENT JOURNALISM (3)
In this course students take on the rapidly changing world of
Web-based converged news--where journalists use text, sound and visuals to report the news and tell
stories. Students will learn the necessary technical skills and apply them by reporting stories and
packaging them for the converged media.
Prerequisite: Communication Arts and Sciences 256
356. INTERMEDIATE JOURNALISM (3)
This class builds on the reporting, writing and editing skills
learned in Introduction to Journalism. Students will report real stories in real time—both on
campus and in the surrounding community—and write them on deadline. Most articles will be submitted
for publication.
Prerequisite: Communication Arts and Sciences 256
358. GENDER AND MEDIA (3)
All cultures recognize differences between the sexes. Yet “
masculinity” and “femininity” are understood by anthropologists to be culturally determined. This
course studies theories and instances of gender differences as they are articulated in
mass-mediated popular culture discourses. It considers the relationship between gender and genre,
explores advertising and consumer ideologies, and considers historical and contemporary film,
television, and print media texts.
359. ARTS CRITICISM PRACTICUM (3)
Listed also as Art 354.
411. NEWSPAPER PRACTICUM (3)
Students will lead the Dominican Star newspaper and related on-line
productions.
Prerequisite: Consent of instructor
420. SPECIAL TOPICS IN JOURNALISM (3)
Students will study and critically analyze major issues facing
journalists and the news media.
Prerequisite: Junior standing
422. ADVANCED JOURNALISM (3)
Students will study investigative and specialized reporting
techniques, cover an area community, and write in-depth stories on a variety of topics.
Prerequisite: Communication Arts and Sciences 356
Film Courses
205. MASTERPIECES OF THE CINEMA (3)
This course will be devoted to works that have withstood the test of
time. Films will include such works as Citizen Kane, The Godfather and Casablanca, as well as films
from European cinema. The course will focus on the merits of each work, as well as on what the
films reflect about society and individual values.
This course will satisfy the fine arts core area requirement.
207. CONTEMPORARY AMERICAN FILMS (3)
This course concentrates on recent works by directors such as Martin
Scorsese, Quentin Tarantino and the Coen Brothers. The course will also focus on recent economic
trends in film production, the reworking of older genres and the social-political aspects of
contemporary film.
This course will satisfy the fine arts core area requirement.
219. THE ROAD IN AMERICAN CULTURE (3)
This course will focus on how road travel has been represented in
the American cinema. The aim of the course is to understand the significance of the road in
American culture and its relationship to concepts of freedom and individuality. Films include Easy
Rider, Thelma and Louise and Motorcycle Diaries.
This course will satisfy the fine arts core area requirement.
226. INTRODUCTION TO FILM STUDIES (3)
This course introduces students to basic concepts that will enable
them both to appreciate and analyze films on their own. Lectures will illustrate techniques such as
editing, camera movement, composition, sound, lighting, color and special effects. The course will
demonstrate how these techniques create meaning.
This course will satisfy the fine arts core area requirement.
227. DISCOVERING DISNEY (3)
This course will study all aspects of the Disney empire: early
cartoons, classic fairy tales and recent animated features. Attention will also be given to the
commercialization of Disney products and the development of theme parks. Focus will be placed on
what the creative works reveal about American ideology, gender, race and nation.
This course will satisfy the fine arts core area requirement.
266. THE AMERICAN CINEMA (3)
This course will cover the entire history of American cinema from
the silent period to the 1990s. Topics include the Hollywood style, the studio system, the star
system, various film genres and recent developments in contemporary film.
Listed also as American Studies 266.
This course will satisfy the fine arts core area requirement.
272. FILM GENRE (3)
Most Hollywood films follow familiar formulas that audiences readily
recognize and love. The class will study three or four of these genres, such as gangster films,
westerns, horror films and road movies, to determine how they remain consistent over time and how
and why they change.
This course will satisfy the fine arts core area requirement.
277. WOMEN AND FILM (3)
This course will examine the images of women in Hollywood film and
new possibilities offered by independent female directors. The course will relate film to social,
political and personal issues, including work, marriage, motherhood, sexuality and violence.
Discussions will focus on stereotyping, the male “gaze” and new images, like the woman
warrior.
This course will satisfy the fine arts core area requirement.
278. SEEING HITCHCOCK (3)
This course will analyze the personal vision and visual style of
Alfred Hitchcock. Films include black-and-white works and his color masterpieces, Rear Window and
Vertigo. Topics include the transfer of guilt, the “wrong man” theme, voyeurism, black humor and
gender.
This course will satisfy the fine arts core area requirement.
279. FILM AUTHORSHIP (3)
This course focuses on individual directors, their personal vision
and their artistic style. By looking at several works by the same director, students will gain a
deeper appreciation and understanding of each film. Directors will be chosen from the following
list: Alfred Hitchcock, Orson Welles and Martin Scorsese.
This course will satisfy the fine arts core area requirement.
291. FILM NOIR (3)
This course will focus on one of the most fascinating areas of
American cinema: crime films and suspense thrillers, such as Double Indemnity and Gilda. These
films haunt the imagination, combining stunning visuals with twisted plots. Lectures will discuss
the themes and the psychological/political significance of these works.
This course will satisfy the fine arts core area requirement.
353. FILM AND FAIRY TALES (3)
This course will study films such as Beauty and the Beast, The Red
Shoes and Edward Scissorhands. Topics include the history and purpose of fairy tales and how they
have changed over time. The films will be approached in terms of politics, psychoanalysis and
gender.
This course will satisfy the fine arts core area requirement.
373. FILM COMEDY (3)
This course is an overview of film comedy beginning with the silent
clowns like Charlie Chaplin through the sound pictures of the Marx Brothers, Mel Brooks and the
Simpsons. The course will also treat the current comedy. Discussion will include comedy as a genre,
the unique aspects of film comedy, the use of parody and other topics.
This course will satisfy the fine arts core area requirement.
385. POLITICS AND FILM (3)
Listed also as Political Science 262 and International Studies 262.
Additional Courses
299. SERVICE LEARNING (1)
Taken in conjunction with a regularly listed communication course,
this one credit-hour option involves community service and guided reflection.
Prerequisite: Consent of instructor
450. INDEPENDENT STUDY (1-8)
Open to majors with the consent of instructor.
455. INTERNSHIP (1-8)
Internships are offered in the Department of Communication Arts and
Sciences for from one to eight semester hours of credit; however, at least 28 of the 40 minimum
number of semester hours required for the major must come from traditional academic courses.
INDEPENDENT RESEARCH OR CREATIVE INVESTIGATION (1-3)
Introductory, Intermediate, Advanced, Senior Thesis Independent
Research or Creative Investigation is a course in which students collaborate with faculty
mentors on an ongoing faculty research project or conduct an independent project under the guidance of a faculty member. This directed undergraduate research or creative investigation culminates in a conference presentation, journal article or other creative/scholarly project.
mentors on an ongoing faculty research project or conduct an independent project under the guidance of a faculty member. This directed undergraduate research or creative investigation culminates in a conference presentation, journal article or other creative/scholarly project.
Prerequisite: Consent of instructor
Employment
Learn how human, social, political and institutional practices and processes affect communication; become skilled in using different media and communication technologies.
Choose from concentrations in:
- Film
- General speech
- Corporate communication
- Media/journalism
- Theatre performance
- Dramatic literature
- Management
- Sales
- Marketing
- Customer service
- Human resources
- Training
- Writing
- Editing
- Program coordination
- Grant writing
- Fundraising
- Corporations
- Marketing agencies
- Retail businesses
- Colleges and universities
- Not-for-profits
- Agencies
- Cultural institutions

