Keynote Speakers
Please check back for program updates and participant additions!
Mark Anthony Neal is Professor of Black Popular Culture in the Department of
African and African-American Studies at Duke University, where he won the 2010 Robert B. Cox Award
for Teaching. Neal has written and lectured extensively on black popular culture, black
masculinity, sexism and homophobia in Black communities, and the history of popular music. Neal is
the founder and managing editor of the blog
NewBlackMan.
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Neal hosts the weekly webcast,
Left of Black in collaboration with the John Hope Franklin Center at Duke University A
frequent commentator for National Public Radio, Neal contributes to several on-line media outlets,
including
Huff Post Black Voices and
SeeingBlack.com. Neal is the author of four books,
What the Music Said: Black Popular Music and Black Public Culture (1998),
Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002),
Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003) and
New Black Man: Rethinking Black Masculinity (2005). Neal is also the co-editor (with
Murray Forman) of
That’s the Joint!: The Hip-Hop Studies Reader, 2nd Edition (2011) Neal’s next book
Looking for Leroy: (Il)Legible Black Masculinities will be published in 2012 by New York
University Press.
Zandria F. Robinson is Assistant Professor of Sociology and James and Madeleine
McMullan Assistant Professor of Southern Studies at the University of Mississippi. She has written
on southern hip-hop and African American cultures in the post-Civil Rights South. She resides in
Memphis with her daughter, Assata, age 8.
Stephanie Shonekan is Assistant Professor of Ethnomusicology and Black Studies at
the University of Missouri, Columbia. She earned her BA and MA degrees in Nigeria. In 1996, she
enrolled in the PhD program in Ethnomusicology and Folklore at Indiana University Bloomington and
minored in African American Studies. In her dissertation,
One Life Two Voices: The Examination, Exploration, and Exposition of the Life of Camilla
Williams, Soprano...
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Dr. Shonekan studied issues of voice and identity that emerge when the
personalities of two black women from opposite sides of the Atlantic unite in the presentation of a
collaborative autobiography. Dr. Shonekan’s own intertwined Nigerian and Trinidadian heritage
inspires continued study of music and culture across the African Diaspora. Her research interests
include black women and life writing, as well as investigating the evolving parallels that exist in
the literature and music of Africa and the African Diaspora. Her book
The Life of Camilla Williams, African American Classical Singer and Opera Diva was
published in 2011 by Edwin Mellen Press. Her article on the influences of afrobeat maestro Fela
Kuti, “Fela’s Foundation,” is published in the
Black Music Research Journal (Spring 2009) and her article on Nigerian hip hop, “Sharing
Hip Hop Cultures: The Case of Nigerians and African Americans,” is published in
American Behavioral Scientist (January 2011). Dr. Shonekan also wrote and produced the
award-winning short film
Lioness of Lisabi (2008), which was inspired by the life of Funmilayo Ransome-Kuti,
Nigerian women's activist and mother of Fela Anikulapo-Kuti.
Presenters, Featured Musicians and Special Guests
Billy Boy Arnold, a leading blues harmonica player, singer and songwriter has
enjoyed a remarkable career spanning six decades. He lists among his many credits the landmark 1955
Chess hit single, Bo Diddley. As a young Blues artist in early 1950's Chicago, Billy Boy Arnold was
befriended and inspired by Big Bill Broonzy, one of the 20th century's greatest musical icons. Now,
60 years later, Billy Boy has gathered together this generation of Chicago's best acoustic Blues
players for the recording of Billy Boy Sings Big Bill. A Blues Legend in his own right, Billy Boy
was a key figure on the incendiary Chicago Blues scene of the 1950's and a major influence on the
British Blues scene of the 1960's.
George Bailey is a faculty member in the English Department of Columbia College
Chicago. He received his Ph. D. from the University of Illinois at Chicago. He teaches Writing and
Rhetoric I and II, and American Literature in that department as well. He has developed courses
titles such as “The Slave Narrative as Documentary,”“Blues as literature,” and Postmodern Black
Culture.”
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His short fiction and articles on a variety of topics have appeared in
New Chicago Stories,
Chicago Works: A New Collection of Chicago Authors’ Best Stories,
West Side Stories , the
Chicago Sun Times,
Fra Noi,
New City, and the
Chicago Journal. His choreopoem,
For the 13, was adapted by Zebra Crossing and performed at the Theater Building in
Chicago. His collection of stories,
Haunted Exiles Back up on the End was published in May of 2010. He has given academic
papers at national conferences, played in a Jazz band for several years, and promotes partnerships
between school cultures. He continues to dress up as a 9th United States Cavalry corporal, to
explore and interpret the Reconstruction period in the American west.
Lincoln T. Beauchamp, Jr., a.k.a. Chicago Beau is a Blues artist, record producer,
writer, and publisher. He has made numerous Blues, Jazz and other genre recordings under his name,
and in collaboration with other world class artists including Pinetop Perkins, Memphis Slim,
SunnyLand Slim, Art Ensemble of Chicago, Billy Cobham, and Archie Shepp. Beau is Founding Editor
and Publisher of
Literati Chicago,
Literati Internazionale, and the
Original Chicago Blues Annual,
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which is translated into three languages. In 2010, he edited and contributed to the
highly acclaimed work titled
BluesSpeak, published by the University of Illinois Press. His publications and writings
have been referenced in numerous important books published about Jazz and Blues. Beau currently
teaches music and a course he created titled, “Blues as Music, Literature and Lifestyle” at Harper
College in Palatine, Illinois.
Scott M. Barretta is a principal writer and researcher for the Mississippi Blues
Trail, a series of historic markers, the host of the radio program Highway 61 on Mississippi Public
Broadcasting, and a folklorist for the Mississippi Arts Commission. He is the former editor of
Living Blues Magazine, published by the Center for the Study of Southern Culture at the
University of Mississippi, worked as a writer and consultant for the B.B. King Museum and Delta
Interpretive Center, and is a freelance writer for many publications.
Rodney Brown started down his musical path at the age of 6. After 7 years of
classical piano and 4 years of percussion, he began his love affair with the saxaphone. Influenced
by legendary entertainers such as Eddie Harris, Von Freeman, Son Seals, James Moody, Dexter Gordan,
Gene Ammons, Louie Jordan, Lou Rawls, Joe Williams, and Brook Benton among others, he continues to
implement the sound of legends into his energetic interpretations of contemporary blues, jazz, and
soul.
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Since beginning his career in 1972, he has toured internationally with various
artist including Walter Jackson, The Chi-Lites, Eddy Floyd, Michael Henderson, Deitra Farr, Big
Time Sarah, Aaron Burton, Kenny Neal, Michael Coleman, Katherine Davis, Dennis Binder, Vance Kelly,
Johnny Drummer, Peaches Stanton, Eddie Shaw, and Sam Taylor, at venues in Chicago, New York, Los
Angeles, Montreal and New Orleans, as well as in Belgium, Holland, Switzerland, England, France,
Spain, and India.
Sugar Blue, the Grammy award-winning harmonica virtuoso is not your typical
bluesman. Born James Whiting, he was raised in Harlem, New York, where his mother was a singer and
dancer at the fabled Apollo Theatre. He spent his childhood among the musicians and show people who
knew his mother, including the great Billie Holiday, and decided that he wanted to be a performer.
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Blue has used this background to his advantage, creating an ultra-modern blues style
and sound that is instantly recognizable as his own. Blue began his career as a street musician and
made his first recordings in 1975 with legendary blues figures Brownie McGhee and Roosevelt Sykes.
The following year, he contributed to recordings by Victoria Spivey and Johnny Shines before
pulling up stakes and moving to Paris on the advice of pioneer blues pianist Memphis Slim. While in
France, Blue hooked up with members of the
Rolling Stones who instantly fell in love with his sound. The Stones invited Blue to join
them in the studio. Besides his work on the
Some Girls album, he can be heard on
Emotional Rescue and
Tattoo You. He appeared live with the group on numerous occasions and was offered the
session spot indefinitely, but he turned it down, opting instead to return to the States and put
his own band together rather than became a full-time sideman. Before returning to the US in 1982,
Blue cut a pair of albums,
Crossroads and
From Paris to Chicago. Blue's decision to return home, despite his growing renown as a
session player, was spurred by his desire to work with and learn from the masters of blues
harmonica. Thus he came to Chicago and proceeded to sit in with the likes of Big Walter Horton,
Carey Bell , James Cotton and Junior Wells . Blue went on to spend two years touring with his
friend and mentor Willie Dixon as part of the Chicago Blues All Stars before putting his own band
together in 1983. With his own band, Blue's star continued to rise. He received the 1985 Grammy
Award for his work on the Atlantic album,
Blues Explosion, recorded live at the Montreux Jazz Festival. Blue has played and recorded
with musicians ranging from Willie Dixon to Stan Getz to Frank Zappa to Johnny Shines to Bob Dylan,
but he is perhaps best known for his signature riff and solo on the Rolling Stones' hit
Miss You from their
Some Girls album. He has appeared across America, Europe and Africa at many prestigious
festivals - Chicago, Zurich, Den Haag, Antibes, Nice, Cannes, Montreal, Pistoia, Bern, Rapperswil,
He is also featured in the Spike Lee film production
The Perfect Age of Rock'n'Roll along with Pinetop Perkins and Hubert Sumlin. The film
debuted at the Sundance Film Festival. Blue also appeared in the tribute video
We Are One that played before the massive all-star Inaugural Concert at the Lincoln
Memorial, in front of the millions that came to witness the inauguration of President Obama on Jan
20, 2009.
Billy Branch has followed a very non-traditional path to the blues. Unlike many
blues artists, he isn't from the South. Billy was born in Chicago in 1951 and was raised in Los
Angeles. He first picked up a harmonica at the age of ten and immediately began to play simple
tunes. Billy returned to Chicago in the summer of '69 and graduated from the University of Illinois
with a degree in political science. It was during these years that he was introduced to the Blues.
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He soon became immersed in the local blues scene. He spent a great deal of time at
legendary blues clubs such as: Queen Bee’s and Theresa's Lounge; he learned from such stalwart
harmonica players like: Big Walter Horton, James Cotton, Junior Wells and Carey Bell. In the 1970s,
Billy formed the Sons Of Blues (S.O.B.s) featuring musicians who were the sons of famous blues
artists. The original S.O.B.s consisted of Billy, Lurrie Bell, Freddie Dixon and Garland Whiteside.
They toured Europe and played at the Berlin Jazz Festival. Shortly afterward, they recorded for
Alligator Record's Grammy-nominated
Living Chicago Blues sessions, and Billy has been a regular studio player appearing on
over fifty albums. Billy is also passing on the blues tradition to a new generation through his
Blue in the Schools program. He is a dedicated blues educator and has taught in the
Chicago school system for over twenty years as part of the Urban Gateways Project. In 1996, some of
his finest students opened the Main Stage at the Chicago Blues Festival which was broadcast
throughout the US on National Public Radio.
Wayne Baker Brooks, was born and raised in Chicago, IL amongst the most prolific
blues legends and blues masters in the world, and his blues roots may run deeper and wider than the
Great Lake Michigan itself. Chicago Blues laid the foundation to Wayne's innovative style. A
regular visitor (as a child) at places such as Chess Studios, Checkerboard Lounge, Wisefools, and
many other blues landmarks as well as witnessing many live performances by blues masters like Buddy
Guy, Jr. Wells, Luther Allsion, KoKo Taylor, the great Muddy Waters, & his father.
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The youngest son of blues master Lonnie Brooks was born with the blues, for real!
There was or is still no way getting around the fate that was appointed to him. He joined his
father's band (as a roadie in 1988, and started playing guitar in the band in 1990. In 1997, he
formed the Wayne Baker Brooks Band while continuing to work with his father's band. In 1998, in
addition to appearing in the film
Blues Brothers 2000, he also co-wrote
Blues for Dummies with his father and Cub Koda. With the release of his debut CD "Mystery"
in 2004 an album of contemporary blues at its best draws on blues, blues rock, soul, funk, &
even a bit of hip hop. "Mystery" received multiple awards and accolades including a 4 star review
in the All Music Guide.
Gil Cook is an Assistant Professor of English at Dominican University. Teaching in
the English and Black World Studies departments, his courses include “African American Literature,”
“Literature of the African Diaspora,” and “Black Women Writers.” He was a contributor for
Jay-Z: Essays on Hip Hop’s Philosopher King (McFarland Press 2011) and has two articles
under review with prominent literary journals. Now in his second year at Dominican, Gil is excited
to be a part of the biennial Blues and the Spirit Symposium.
Carl 'CC' Copeland, on bass, keys and vocals, is a multi-talented performer with a
wide-ranging repertory. Chicago-born and Ohio-raised, CC decided early on that the bass guitar
would be his instrument of choice. Inspired by a number of R&B groups of the 70's, his
blues-drummer uncle, and his grandmother who sang in the church choir, CC started working
professionally just prior to graduating from high school.
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These initial hometown ventures soon landed him work in various parts of the South. In
the early 80's, he decided to explore the music scene in Chicago. His distinctive live performances
combine blues, jazz, R&B, soul, funk, and rock with a gospel aesthetic that comes out of his
family and cultural heritage. A musician's musician with a sincere respect for entertaining and all
forms of music, CC became a fixture in the Chicago scene working with John Primer, Sharon Lewis,
Vance Kelly, Howard Scott, Big James, Melvin Taylor, and Pistol Pete to name a few. A featured
showman at the major Chicago clubs and a favorite at festivals around the country, CC has also
performed to enthusiastic audiences in France, Great Britain, Switzerland, and Belgium. In addition
to performing, he is a music educator who has developed and taught programs for elementary through
college-age students about the roots and living legacy of blues and related genres.
Dorothy Coyle is the Executive Director of the Chicago Office of Tourism and
Culture (COTC), which promotes Chicago as a premier cultural destination to domestic and
international leisure travelers, provides innovative visitor programs and services, and presents
free world-class public programs. For more than ten years, Coyle has guided efforts to boost
Chicago’s popularity as a premier leisure destination, which attracts nearly 40 million visitors
annually.
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Working closely with the Chicago Department of Cultural Affairs and Special Events,
she has taken the lead in promoting Chicago’s many accessible cultural events and helped pioneer
the city’s widely acknowledged leadership in the field of cultural tourism. Under her direction,
COTC has developed dozens of programs and services that maximize the visitor experience, including
Chicago Greeter, Chicago Neighborhood Tours, Family Adventure Days, and three Visitor Information
Centers. Other highlights of her tenure include creating popular new programs in Millennium Park
such as the Great Performers of Illinois Festival and large-scale winter celebrations; integrating
Chicago’s creative industries into tourism efforts through high profile programs like Fashion Focus
Chicago; partnering with the Chicago Shakespeare Theater and Motorola to present the North American
premiere of en route, a pedestrian-based theatrical experience in the Loop; leading tourism
promotion of the extraordinarily popular Cows on Parade public art exhibition, Chicago’s
International Millennium Celebration and the citywide Silk Road cultural celebration (in
collaboration with Yo-Yo Ma); and representing the Chicago Department of Cultural Affairs on the
Chicago 2016 bid committee for the Olympic and Paralympics Games. Under her direction, COTC has
become a leader in using cutting-edge technologies and social media to promote Chicago including
ExploreChicago.org, the City of Chicago’s official tourism website and the No. 1 travel and tourism
website for Chicago; an integrated social media strategy that maintains an active presence on
Foursquare, SVNGR, Facebook, Twitter, YouTube and Flickr; and a series of free downloadable mp3
audio tours. Coyle recently commissioned the first economic impact study of COTC’s Visitor Centers,
which stimulated $32 million in additional spending and ExploreChicago.org, which significantly
influenced $172 million in spending and $3 million in local taxes. She also secured funding for and
led an unprecedented study of Chicago's cultural assets resulting in a major community-based
tourism campaign which added 2,000+ neighborhood attractions to the City's tourism website. Dorothy
Coyle Bio/page two Coyle has presented at the U.S. Cultural and Heritage Travel Summit, the
Illinois Governor’s Conference on Tourism, and numerous travel industry meetings; and has appeared
on the Today Show, MSNBC, CNN, and the CBS Evening News, among many other outlets. Coyle began her
career in the tourism industry at the Greater Milwaukee Convention and Visitors Bureau while
studying as an undergraduate at Marquette University. She holds an MBA with concentrations in
marketing and strategy from the Kellogg School of Management at Northwestern University and is an
adjunct instructor at Roosevelt University. Coyle has also served as a guest lecturer at Kellogg
School of Management and Columbia College Chicago . In 2006, she was named to the prestigious “40
Under 40” list by Crain’s Chicago Business.
Marie Dixon, widow of blues legend Willie Dixon, is the CEO and President of the
Blues Heaven Foundation, whose mission is to assist in the documentation and promotion of the
Blues, supporting artists and educational initiatives. The foundation is located in the landmark
Chess Records building, 2120 S. Michigan Avenue in Chicago. Dominican University’s Blues and the
Spirit Symposium will honor Mrs. Dixon for her accomplishments and service with the 2012 Spirit
Award.
Barry Dolins recently retired as the Deputy Director of the Mayor’s Office of
Special Events, where he captained the programming division for Chicago’s largest music festivals
including such signature events as the Blues, Gospel and Jazz festivals as well as music festivals
dedicated to Latin American and Celtic culture. Dominican University’s Blues and the Spirit
Symposium recognized his accomplishments and service with the 2010 Spirit Award.
Deitra Farr began singing in the mid-1970s with various soul bands. At the age of
18, Farr recorded the lead vocals on "You Won't Support Me", with the Chicago group Mill Street
Depo. That song made the Top 100 R&B list with
Cashbox magazine. She began singing the blues in the early 1980s.
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From 1993 to 1996, she was the lead singer for
Mississippi Heat and recorded two albums with them,
Learned the Hard Way and
Thunder in my Heart. In 1997, she released her first solo album titled
The Search is Over, on the British record label, JSP Records.In 2005, Farr released her
second JSP album,
Let It Go. The blues guitarist, Billy Flynn, played on
Let It Go. Since 1990, she has toured internationally, so far performing in over 30
countries. Farr is a graduate of Columbia College Chicago, with a Bachelor's degree in journalism.
She has a regular column called "Artist to Artist" in
Living Blues Magazine.
Ernest L. Gibson III is an Assistant Professor of English at Rhodes College.
He received his Ph.D. in the W.E.B. Du Bois Department of Afro-American Studies at the
University of Massachusetts-Amherst and recently completed the Thurgood Marshall
Fellowship at Dartmouth College in African and African American Studies.
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He received his B.A. in Religious and Philosophical Studies from Fisk University,
M.A. in American Studies from Purdue University and M.A. in Afro-American Studies from UMass
Amherst. His research interests include 20th-century African American literature; intersections of
race, gender and sexuality; and cultural studies. His current project explores depictions of the
fraternal in the novels of James Baldwin alongside nuanced iterations of black manhood and
intimacy.
Robert Hanserd is a historian whose research focuses on Afro-Atlantic, African
American and West African History, emphasizing maroon, free black and slave culture in the
Americas. He completed his Ph.D. in History at Northern Illinois University in June of 2011. His
work examines the transference of Akan views of history and freedom to America during the 18th
century in Jamaica and New York.
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Robert’s research interests also include Fon cultural traditions in the Bight of
Benin region and in Haiti and New Orleans. He conducted research in Ghana and Benin during four
visits, the last for nearly six months in 2008-2009. He is currently revising his dissertation for
article and manuscript publication. Robert teaches courses in African, Atlantic and American
history. In the fall of 2008, he was a visiting instructor at Presbyterian University College in
Akuropon, Ghana. He is currently teaching courses at Columbia College Chicago and Dominican
University.
Fernando Jones, musician, actor and author of the book,
I Was There When the Blues Was Red Hot, is the Director of Columbia College’s Blues
Ensemble and the founder of the blues education initiative, Blues Kids of America.
Nick Krebs is a Master's student in American Studies at Purdue University where he
focuses on the formation and transmission of cultural knowledge. Currently interested in curriculum
and pedagogy as contested sites, he is researching non-traditional methods of knowledge
transmission that are strewn about cultures and society.
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A member of the Ankh Maat Wedjau Honor Society, Nick has presented at the National
Council for Black Studies Annual Conference in 2009, 2011, and 2012 where he presented research on
Hip Hop as an Afrocentric social movement, racialization in the War on Drugs, and the influence of
Neoliberal capitalism in the 20th century onwards, respectively. Nick completed his B.A. In
History, Law & Society, and African American Studies at Purdue University where he was
theoutstanding senior in African American Studies, the undergraduate advisor on the Liberal Arts
Diversity Action Committee, and a member of the Black Thought Collective.
Jane Hseu is an Assistant Professor of English at Dominican University. She
teaches classes on contemporary multiethnic US literature, US Latino/a literature, composition and
globalization, and multicultural Chicago. Her research interests include
multidialectialism/multilingualism in Asian American and Latino/a literature and the politics and
poetics of performance.
Sharon Lewis has steadily entrenched her status as one of Chicago’s true Blues
Divas since her debut in the early 1990s. Internationally known, she has performed at some of the
largest and most well-known festivals in the world. Including Lucerne, Switzerland; Monterey,
California and the Chicago Blues Festival.
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An accomplished public speaker who talks openly about her own difficult life’s
journey and the spiritual and healing dimensions of the music, her biography was featured in David
Whiteis’ book
Chicago Blues: Portraits and Stories. Her long awaited Delmark produced CD,
The Real Deal, released in October 2011, has been greeted with rave reviews to further
solidify her Diva status.
Brian Lukasavitz is an attorney, educator and blues musician.
He has worked in arts and entertainment for over 15 years in various capacities and is the self-proclaimed "Blues Attorney". Lukasavitz Law Group, LLC. focuses on supporting artists of all genres and mediums in the area of arts and entertainment law. He attributes his desire to pursue a career in law to the great Willie Dixon.
Chavella T. Pittman, PhD, is an Assistant Professor of Sociology at Dominican
University. Her research article on women faculty of color was featured in Teaching Sociology and
in the American Sociological Association newsletter. Her work can also be found in Journal of Black
Studies and Journal of Negro Education. Dr. Pittman's research interests center on the social
psychology of oppression, with particular emphasis on racial, ethnic, and gender-influenced
behaviors. She also has extensive experience designing, implementing, and training others to
conduct diversity education.
Sterling Plumpp, Professor Emeritus in English and African American Studies at the
University of Chicago, is a poet who employs the imagery of Blues music culture as the subject
matter of his work. Among his many publications is the book
Blues: The Story Always Untold.
Stephany Rose is an Assistant Professor of Women’s and Ethnic Studies at the
University of Colorado at Colorado Springs. She holds a B. A. from Clark Atlanta University in
English, a M. A. in English from Purdue University, and a Ph. D. in American Studies from Purdue
University. Her areas of specialization are 19th and 20th Century American Literature, Critical
Race Theory and Critical Whiteness Studies.
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Stephany’s work often addresses performances of racialized identities in American
popular culture and Hip-hop, including “Miscegenated Nation: Adam Mansbach’s Angry Black White Boy”
in the Dec. 2009
CLA Journal (53.4) and “Black Market Whiteness: From Hustler to HNIC” in
Jay-Z: Essays on Hip Hop’s Philosopher King (McFarland Press 2011). Stephany Rose is both
an Andrew Mellon UNCF recipient and Mellon Mays Undergraduate Fellowship mentor. Moreover, she is
the editor of
The Lion Speaks: An Anthology for Hurricane Katrina (2006) and the poet/author of
Stilettoed Roses Bleed (2004).
Jacob “Brother Jacob” Schulz is a young Blues Singer from Chicago, Illinois. He
was introduced to the Blues, at an early age, by an elderly babysitter who used to listen to Pervis
Spann on WVON-AM. By the time Jacob was 9, he was calling Spann at the station, requesting his
favorite Muddy Waters and Koko Taylor tunes. Growing up in the age of technology, Jacob used the
internet as a guide to research Blues music.
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On June 10, 2004, Jacob made his official debut as a Blues singer at the Chicago
Blues Festival. He appeared with the
Oscar Mayer Wieners in affiliation with the
Blues in the School Programs. As time progressed, he became more active in the Blues
world, sitting in at open jams and becoming acquainted with the legends he admired the most. Jacob
has performed at the Chicago Blues Festival, Jay Pritzker Pavilion, South Shore Cultural Center,
Buddy Guy’s Legends, and Lee’s Unleaded Blues. He has opened for the legendary Otis Clay and shared
the stage with Blues greats Zora Young, Billy Branch and the SOB's, Deitra Farr, Killa Ray Allison,
and Sharon Lewis among others.
Matthew Skoller is one of Chicago's most respected harp blowers and blues
bandleaders. Deeply rooted in the tradition of the Chicago blues elders with whom he worked and
studied, Skoller has developed a unique style that conjures the past while being firmly planted in
the present. He has self-produced four of his CDs and the critically acclaimed, award winning
Let's Talk About Love by Lurrie Bell. Most recently Matthew collaborated with his brother
Larry Skoller on the Grammy nominated historical project,
Chicago Blues: A living History.
Peaches Staten is a Chicago vocalist and washboard player. Her album,
Live at Legends, recorded at
Buddy Guy’s Legends, was the last live performance done at the club’s original South
Wabash location before it relocated after 21 years. Staten spends much of her time performing
outside the United States. Born in Mississippi and raised in Chicago, with a background in gospel,
R&B, soul and blues, Staten was in an Afro-Brazilian samba band, as well as a zydeco band,
before submerging herself primarily in the blues.
Nellie Travis was born deep in the Delta of Mississippi in the early 60’s. As in
most small towns, the church was a main focal point and Nellie grew up singing gospel music. KoKo
Taylor was a mentor and friend to Nellie, and when she passed in early 2009, Nellie used her
songwriting skills to write and record a tribute song to her friend titled
KoKo: Queen of the Blues.
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Nellie has headlined at the Chicago Blues Festival and performed around the world,
in Japan, Greece, Italy, Germany, and Brazil, as well as in her hometown in the Delta. She has
shared the stage with such greats as Buddy Guy, B.B. King, Koko Taylor, Gladys Knight and Ronnie
Baker Brooks. In addition to her singing and songwriting, Nellie is an accomplished actress,
featured in the stage plays
The Lust Of A Man and
I was There When The Blues Was Red Hot.
David Whiteis Ph.D. is an independent scholar living in Chicago. He has written
many articles on the Blues and, in 2001, won the Blues Foundation's Keeping the Blues Alive Award
for Achievement in Journalism. His book,
Chicago Blues: Portraits and Stories, appeared in 2006. David has taught for many years at
the college level and is currently an adjunct assistant professor in the Department of Sociology
and Criminology at Dominican University.
